Modern Art Comes to
The Armory Show of 1913
• Over 2,000 pieces of modern European art hung for a month in 1913
• Exhibited all major moderns including Matisse and Picasso
• Notably missing form the show were the German Expressionists except for one Kirchner landscape and on Kandinsky
• Of course the critics, reporters, editorialists had a field day lampooning the work as degenerate culture
• “American Art Progress” magazine compared the Europeans to anarchists, lunatics, depraved
• The public flocked to see these innovative wonders from
• Over 300,000 visitors
• The reaction by the artists was mixed, as some embraced it, while others resented it
Alfred Stieglitz
• Photographer and gallery owner, pioneer in championing photography as a medium for fine art
• The gallery endeavor at
291
• Alfred Stieglitz important photographer who worked to break down the artificial barrier between photography and art
• Influential in showing works never seen before in the Unites States , showing works by Cezanne, Toulouse Lautrec. Rodin, Picasso Braque, Matisse and Constantin Brancusi
• His works and the Armory show of 1913 demonstrated how old the American realistic approach to painting truly was
Georgia O’Keefe
• Promising, original young artist to show at 291
• Later became Stieglitz’s wife
• Promising use of color and form to create new paintings
• Famous for her large scale flower drawings, which were always refered to as female genitalia
Ansel Adams
• A photographer like Stieglitz
• Presented photographic views of the grand American West
• Had an exhibition with Stieglitz in the fall of 1936, which made his career as a B & W photographer
American Scene Painting
• The American artists who rejected the European modernists developed this American style
• O’Keefe gave us the great American painting “Red, White and Blue” with a cows head skull and red and blue stripes
• Preeminent art scene in
Edward Hopper
• A poet if human isolation
• “Nighthawks showing the loneliness of the café and happen chance meeting
Grant Wood
• In the early 1930’s “regionalism” emerged strident distaste for the European modernists
• Asserted itself in the
• American Gothic has become a true and cherished national emblem
• Depicts a farmer and his daughter
Dorothea Lange
• Socially conceived photojournalism and documentary photography
• Help through government agencies like the WPA and the FSA (Farm Security Administration)
• Sent photographers into the drought parched rural
• Produced stunning views of
• Became known as the Madonna of the Depression
Diego Rivera
• The Mexican Revolution spurned a spirit of nationalistic mural painting
• Depicted propaganda, inspirational public art reflecting the history and social spirit
• Worked with the two other remarkable social minded muralists, Jose Clement Orozco and David Siqueiros
• Resurgent Feminism may have catapulted Frida Kahlo from relative obscurity to what may be the greatest Mexican artist of the 20th century
The
• The foremost artistic phenomenon of its time Abstract Expressionism, the firs truly American art movement
• Mid 40’s to the end of the 60’s transferred the center of the art world from
• Paintings with an abstract rich in Emotive content
• Highly monumental scale
• Truly heroic grandeur
• Federal Art project organized by the WPA (Works Project Administration began during the crippling poverty of the Great Depression
• Enabled artists like Jackson Pollock and William DeKooning to create freely, without financial restraints
The First Generation
• Willem de Kooning, Dutch
• Mark Rothko, Russian
• Jackson Pollock,
• Robert Motherwell,
• Lee Krasner,
• Emulated the café studio life of
• Gave precedence to process over conception
Abstract Expressionism
• The great influence of collector and importer Peggy Guggenheim and her gallery “Art of the Century” showed these new Americans along with the great European masters
• Broken into two distinct branches
– Action Painting: Extroverted, spontaneous, gestural, painterly
– Color Field Painting: quiet, cerebral, flat atmospheric color
Willem de Kooning
• A true giant of the Abstract Expressionists
• Firmly held to his commitment to the human presence in his work
• Most famous series titled Women
• Important influence of Picasso’s “Girl Before a Mirror” acquired by the MoMA in 1938
Jackson Pollock
• Career propelled by collector Peggy Guggenheim and critic Harold Rosenberg
• Drip Paintings were the most original series of paintings to emerge in the post war period
• Lasted only from 1947 to 1950, Pollock could not sustain the vigorous energy to continue
• Led to his self-destruction
Mark Rothko
• Most renowned of the color field painters
• Bright hue in unbroken color fields contrasted sharply with the energies of the “action painters”
• Stacks of glowing atmospheric rectangles
• Pure color abstraction, stained the shapes directly onto the unprimed duct (canvas)
• Carried out with sponges and rags rather than brushes
Robert Motherwell
• Stated all my works consist of a dialect between conscious (straight lines, shapes, weighted colors) and the unconscious (soft lines, obscured shapes)
• Resolved in a synthesis which differs as a whole from either
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