Monday, March 17, 2008

Translation of Power Point for Final

Modern Art Comes to America

The Armory Show of 1913

Over 2,000 pieces of modern European art hung for a month in 1913

Exhibited all major moderns including Matisse and Picasso

Notably missing form the show were the German Expressionists except for one Kirchner landscape and on Kandinsky

Of course the critics, reporters, editorialists had a field day lampooning the work as degenerate culture

“American Art Progress” magazine compared the Europeans to anarchists, lunatics, depraved

The public flocked to see these innovative wonders from Europe

Over 300,000 visitors

The reaction by the artists was mixed, as some embraced it, while others resented it

Alfred Stieglitz

Photographer and gallery owner, pioneer in championing photography as a medium for fine art

The gallery endeavor at 291 5th Ave, NYC became the headquarters for the international modern ar tin the United States

291

Alfred Stieglitz important photographer who worked to break down the artificial barrier between photography and art

Influential in showing works never seen before in the Unites States , showing works by Cezanne, Toulouse Lautrec. Rodin, Picasso Braque, Matisse and Constantin Brancusi

His works and the Armory show of 1913 demonstrated how old the American realistic approach to painting truly was

Georgia O’Keefe

Promising, original young artist to show at 291

Later became Stieglitz’s wife

Promising use of color and form to create new paintings

Famous for her large scale flower drawings, which were always refered to as female genitalia

Ansel Adams

A photographer like Stieglitz

Presented photographic views of the grand American West

Had an exhibition with Stieglitz in the fall of 1936, which made his career as a B & W photographer

American Scene Painting

The American artists who rejected the European modernists developed this American style

O’Keefe gave us the great American painting “Red, White and Blue” with a cows head skull and red and blue stripes

Preeminent art scene in America in the 1920’s

Edward Hopper

A poet if human isolation

“Nighthawks showing the loneliness of the café and happen chance meeting

Grant Wood

In the early 1930’s “regionalism” emerged strident distaste for the European modernists

Asserted itself in the Midwest

American Gothic has become a true and cherished national emblem

Depicts a farmer and his daughter

Dorothea Lange

Socially conceived photojournalism and documentary photography

Help through government agencies like the WPA and the FSA (Farm Security Administration)

Sent photographers into the drought parched rural America

Produced stunning views of America in distress

Became known as the Madonna of the Depression

Diego Rivera

The Mexican Revolution spurned a spirit of nationalistic mural painting

Depicted propaganda, inspirational public art reflecting the history and social spirit

Worked with the two other remarkable social minded muralists, Jose Clement Orozco and David Siqueiros

Resurgent Feminism may have catapulted Frida Kahlo from relative obscurity to what may be the greatest Mexican artist of the 20th century

The New York School

The foremost artistic phenomenon of its time Abstract Expressionism, the firs truly American art movement

Mid 40’s to the end of the 60’s transferred the center of the art world from Paris and greater Europe to New York

Paintings with an abstract rich in Emotive content

Highly monumental scale

Truly heroic grandeur

Federal Art project organized by the WPA (Works Project Administration began during the crippling poverty of the Great Depression

Enabled artists like Jackson Pollock and William DeKooning to create freely, without financial restraints

The First Generation

Willem de Kooning, Dutch

Mark Rothko, Russian

Jackson Pollock, Wyoming

Robert Motherwell, San Francisco

Lee Krasner, New York

Emulated the café studio life of Paris in seedy cafeterias and dingy downtown lofts

Gave precedence to process over conception

Abstract Expressionism

The great influence of collector and importer Peggy Guggenheim and her gallery “Art of the Century” showed these new Americans along with the great European masters

Broken into two distinct branches

Action Painting: Extroverted, spontaneous, gestural, painterly

Color Field Painting: quiet, cerebral, flat atmospheric color

Willem de Kooning

A true giant of the Abstract Expressionists

Firmly held to his commitment to the human presence in his work

Most famous series titled Women

Important influence of Picasso’s “Girl Before a Mirror” acquired by the MoMA in 1938

Jackson Pollock

Career propelled by collector Peggy Guggenheim and critic Harold Rosenberg

Drip Paintings were the most original series of paintings to emerge in the post war period

Lasted only from 1947 to 1950, Pollock could not sustain the vigorous energy to continue

Led to his self-destruction

Mark Rothko

Most renowned of the color field painters

Bright hue in unbroken color fields contrasted sharply with the energies of the “action painters”

Stacks of glowing atmospheric rectangles

Pure color abstraction, stained the shapes directly onto the unprimed duct (canvas)

Carried out with sponges and rags rather than brushes

Robert Motherwell

Stated all my works consist of a dialect between conscious (straight lines, shapes, weighted colors) and the unconscious (soft lines, obscured shapes)

Resolved in a synthesis which differs as a whole from either

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